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) — Wharton, Welty, Woolf, and Willa — even the earlier pioneers of modern realism, Sinclair Lewis, Sherwood Anderson, and Theodore Dreiser. But we’re not supposed to be getting into all “No,” said Mack.

I number several of his novels among my “dearest favorites” (seems the right descriptor), perhaps especially dwell among the select “rereadable” list. Some are in full flight, confidently wielding the experience and skill they have gained, yet maintaining their youthful enthusiasm — writing for the love of it, perhaps the published when he was just 25, was followed by great success (Pulitzer Prize, major motion pictures), and he is still aiming higher and wider.

In recent years I have reread a number of his early novels chronologically, and it occurs to me that perhaps the best way for a new reader to experience John Barth’s writing would be to start at the beginning. (One side biographical note that I think is instructive: early in his career Michael Chabon spent five long years working on a novel that grew and grew, even as his faith in it faded.

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Over two hundred years ago, the great scholar and wit Dr.

Johnson said, “No one but a blockhead ever wrote except for money.” However, he spent nine years working on the first great dictionary of the English language, and he didn’t do for money. ) My list of the past year’s literary favorites now numbers twenty-one titles, nearly all of them novels.

Past issues of Bubba’s Book Club have managed to cover as little as one book, and maybe up to six.

And as someone observed, “The hardest kind of writing is being smart about books.” (Okay, that was me.) Perhaps, to a blockhead, that reason alone makes it worth the effort to try.

But there is also the simple motive of wanting to “share the love.” On this occasion, a couple of reflections encouraged me to attempt it.

Although these books are all current and contemporary, the only quality some of the authors share is that they happen to be alive and writing at the same time — their work couldn’t be more different.

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