"Martin Dines explores the relationship between the physical and metaphorical spaces of suburbia and the evolution of modern gay identities across a range of British and American film and fiction, looking at the work of Dennis Cooper, Quentin Crisp, Todd Haynes, Christopher Isherwood, Kevin Killian, David Leavitt, Oscar Moore and Edmund White"--Provided by publisher. London: Pandora, 1994."Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom." In: The reel Shakespeare: alternative cinema and theory / edited by Lisa S. The viewer is never allowed to forget the presence of the camera. 1 "From Exile to Ethnicity: Nestor Almendros and Orlando Jimemez-Leal's Improper Conduct." In: The Ethnic Eye: Latino Media Arts. Packed with interviews and an array of film clips from the genre, this documentary celebrates more than half a century of queer independent filmmaking. / Rosanne Kennedy --From string of knots to orange box: lesbianism on prime time /Margaret Marshment and Julia Hallam --OUT: reflections on British television's first lesbian and gay magazine series /Diane Hamer with Penny Ashbrook --Pussy galore: lesbian images and lesbian desire in the popular cinema /Yvonne Tasker --Fostering the illusion: stepping out with Jodie /Clare Whatling --Looking lesbian: amazons and aliens in science fiction cinema /Paula Graham --Basic Instinct: damning dykes /Angela Galvin "Looking lesbian: amazons and aliens in science fiction cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. J.]: Fairleigh Dickinson University Press ; London ; Cranbury, N. "Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective." In: Hollywood on Stage: Playwrights Evaluate the Culture Industry / edited by Kimball King. The pornographic videos and photo spreads of the porn star Ryan Idol are examples of self-reflexivity.
London ; New York: Routledge, 1995."Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. "The writer discusses film studies and gay pornography.
"Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. pp: 59-78 New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael De Angelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature.
Culture and the moving image "Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New York: Routledge, 2002."Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. "The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. "'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, Linda Dittmar, and Janice R. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index] Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities.
Rutgers depth of field series."Dosti and Tamanna: male-male love, difference, and normativity in Hindi cinema." In: Everyday life in South Asia / edited by Diane P. In: Queer Looks: Perspectives on Lesbian and Gay Film and Video /editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."I sleep behind you": male homosociality and homoeroticism in Indian parallel cinema." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. Minneapolis: University of Minnesota Press, c1994."On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship." In: Immortal, Invisible: Lesbians and the Moving Image/ edited by Tamsin. "National troubles : male matters in Israeli gay cinema." In: Brother keepers : new perspectives on Jewish masculinity / edited by Harry Brod, Shawn Israel Zevit. This paper draws on feminist and queer theory to examine the liabilities of relying on these familiar situation comedy conventions, demonstrating how the program equates gayness with a lack of masculinity, relies on sexual tension and delayed consummation, infantilizes the program's most potentially subversive characters, and emphasisizes characters' interpersonal relationships rather than the characters' connection to the larger social world.
London: Pandora, 1994.""Working like a homosexual", camp visual codes and the labor of gay subjects in the MGM Freed Unit." In: Hollywood musicals, the film reader / edited by Steven Cohan. In focus--Routledge film readers."Homo Pomo: The New Queer Cinema." In: Women and Film: A Sight and Sound Reader. It is asserted that these films do not necessarily tell us about the empirical realities of gay lives in East Asian communities, but they do tell us something of what it means to be gay in East Asian cultures.
"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation.
pp: 95-106 Bloomington, IN: Indiana University Press, c1997."Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment.
The shape ofcollective identity - how internal instabilities and diversities are accommodated, in this case - depends not only on the emergentcharacteristics of the collective, but also on the resolution of challenges particular to organizational fields.
It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films.
"This work examines and critiques the prevalence of "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified on the screen in contemporary cinema. New York: Oxford University Press, 1988."Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Some of those East Asian film and video representations are examined.
pp: 171-82."Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes." In: Bollywood: sociology goes to the movies / Rajinder Kumar Dudrah. "Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism." In: A companion to film theory / edited by Toby Miller and Robert Stam. An overview of the history of gay and lesbian cinema, from Kenneth Anger's pioneering Fireworks (1947) to Ang Lee's Brokeback mountain (2005). "Shortcomings: Questions about Pornography as Pedagogy." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. /Sue O'Sullivan --'Cop it sweet': lesbian crime fiction /Gillian Whitlock --Making a drama out of a difference: Portrait of a Marriage /Jenny Harding --Gorgeous lesbian in LA Law: the present absence? Morohoshi." In: Q & A: queer in Asian America / edited by David L. " Gay pornography is interesting because of its self-reflexivity, which draws attention to sex as performance.